Modernist architecture is defined partly by its time period, from the 1930s to about 1970, and modern style also means buildings which are without historical reference to European traditions. For example, the original Wedgwood group of houses, built by developer Albert Balch, were designed by architects Harlan Thomas and Clyde Grainger in Cape Cod and colonial styles. Those styles “referenced” New England coastal villages and even reached back to English cottages. Modern architecture is without those traditions and instead uses elements of geometric forms and spaces. In the Pacific Northwest School of Modernism often Japanese influences appear in roof lines, pagoda-like gates and trellises, and rock gardens rather than lawns.
Two of Seattle’s greatest architects of the Modernist era were Paul Hayden Kirk and Paul Thiry, and Wedgwood has buildings by both. The University Unitarian Church at 6556 35th Ave NE was designed in 1959 by Paul Hayden Kirk, winning him an award from the American Institute of Architects. The side of the church building along 35th Ave NE has a glass screen, letting light into the interior, with a towering exposed-wood supporting structure. The design emphasizes vertical straight lines and long, rectangular forms. “Rectilinear geometry” and the use of natural materials became the signature of Paul Hayden Kirk’s architectural style. In spirit he became joined to University Unitarian Church when he married a member of the congregation, and his memorial service was held there when he died in 1995.
A smaller but still elegant building designed by Paul Hayden Kirk in 1968 is the Northeast Veterinary Hospital at 9505 35th Ave NE. The geometric forms created by the roof lines allow for windows at the top, so that there is light without giving up wall space inside. The peaks and shapes created by the roof lines give the illusion of greater height, making the building seem bigger than it really is.
The Northeast Branch Library at 6801 35th Ave NE was designed in 1954 by Paul Thiry (with a 2004 addition by a different architect.) Thiry is known as “the father of Northwest Modernism” because he was the first to do a consistent series of modern buildings in Seattle. Thiry’s designs used abstract composition of volumes and horizontal flow. Sometimes buildings were cantilevered so that they appeared to float. Thiry’s intention was to engage a building with its landscape to make the building appear as an organic element of the scene.
Other well-known buildings by Paul Thiry in Seattle are Christ the King Catholic Church at 117th & Dayton Ave N., and the Frye Art Museum building at 704 Terry Ave on Seattle’s First Hill. Thiry was the principal architect for the Century 21 Exposition/the Seattle World’s Fair of 1962, designing the Pacific Science Center and the Coliseum (now KeyArena.)
Thiry, a devout Catholic, designed the first Our Lady of the Lake Church building at 8900 35th Ave NE in Wedgwood (built in 1940; destroyed 1960.) When Archbishop Thomas A. Connolly asked Thiry to design an office modification near St. James Cathedral, Thiry declined, saying that it would not fit in with the character of the original building. He criticized the purpose of the Archbishop’s office expansion because Thiry did not believe in the addition of “social programs” to the church’s mission. After that incident, Thiry was not asked to do any more work on Catholic buildings. In 1960 the first Our Lady of the Lake Church building was torn down to build a larger one, the present building which was designed by architect Roger J. Gotteland.
Modernist architect Gene Zema designed a dental clinic and some private homes in Wedgwood. The Rice Clinic (named for the dentist who owned it) built in 1961 at 6850 35th Ave NE shows the modernist architectural use of volumetric forms: boxes which seem to float in space. Zema achieved this by elevating the clinic entries so that the foundation of the building is not perceived when approaching.
In private homes designed by Gene Zema in Wedgwood in 1954, the influence of Japanese roof lines and entryways can be seen. The roof definition, because it is a single slope and not steeply pitched, has more horizontal flow to it and lines of different segments of the roof may be asymmetrical. A courtyard rock garden entry with plantings references Japanese homes.
On one of his 1954 houses in Wedgwood Zema experimented with the dormer-style addition of an upper level, meant to give a private floor as a master bedroom or a suite area almost like a separate apartment. Zema used this dormer/partial second floor on later designs in other neighborhoods as well. The house appears as several volumetric forms (boxes) stacked up at asymmetrical angles.
The newest modern-architecture commercial building in Wedgwood is the recently remodeled Windermere Real Estate office at 8401 35th Ave NE. Designed by in-house architects including Shawn Sullivan, the Windermere office building includes several modernist themes: use of natural materials (wood paneling) mixed with industrial materials such as metal siding; volumetric forms as the building appears as a stack of rectangles; flat planes (absence of ornamentation); and engagement with the landscape (deliberately-conspicuous drainpipes which collect water from the roof and direct it onto the planting area.)
Gene Zema, Architect, Craftsman. Grant Hildebrand, UW Press, 2011.
HistoryLink Essay #9383, “Paul Thiry”, by Marga Rose Hancock, April 10, 2010.
Lecture notes: “Modern architecture in Seattle,” Prof. Jeffrey Karl Ochsner, Seattle Public Library, April 21, 2012.
Shaping Seattle Architecture: A Historical Guide to the Architects. Jeffrey Karl Ochsner, editor, University of Washington Press, 1994. Essays on Paul Hayden Kirk and Paul Thiry.
“The Architecture.” University Unitarian Church, Seattle. In revising its website in 2013, UUC has unfortunately taken down the extensive info about the church’s architecture, which I originally referenced for the writing of this blog post. Some of the church architecture info is on the webpage of Docomomo-WeWa in the essay”Modernism 101.”
Photo credits for this article: all photos by Valarie.